traveling,
2019
sabanas blancas,
2019
that one essay where susan sontag writes "everyone who is born holds dual citizenship, in the kingdom of the well and in the kingdom of the sick. although we all prefer to use only the good passport, sooner or later each of us is obliged, at least for a spell, to identify ourselves as citizens of that other place" is going to be me from here on out,
2019
(g)hosting,
2019
love letter,
2017
la rueda y el apagón,
2019
X there exists for each one of us a oneiric house, a house of dream-memory, that is lost in the shadow of a beyond of the real past. to inhabit oneirically the house we were born in means more than to inhabit it in memory; it means living in this house that is gone, the way we used to dream in it.
josue,
2020
permíteme igualarme con el cielo, que a ti, te corresponde ser el mar
w/o architecture, there would be no stonewall; w/o architecture, there would be no “brick”
another’s table
round 51: local impact ii
sabanas blancas
el chow: mango verde
queer(ing) the wheel
a kiosk for desire
evidence tampered
1712 w dallas (site-specific)
1022 westheimer (site-specific)
textile arts center
project row houses
1709 westheimer (site-specific)
sabine street studios
houston center for contemporary craft
3620 washington (site-specific)
alabama song
exhibitions:
2021
2020
2019
2018
current and upcoming:
october 29, 2021
august 10, 2021 - ?
the necropolis politic: lo sagrado/the sacred symposium: creating queer space out of absence
soil tongue: a southern language
(https://reclaimingmemoriestx.blog/the-necropolis-politic-lo-sagrado-the-sacred/)
(https://soiltongue.webflow.io/junior-fernandez)
X fotograma o impresiones de contacto hecahas mediante un intercambio de fluidos corporales potencialmente peligrosos.